活動名稱：2018 JAPAN AKASHI COLLEGE SUMMER INTERSHIP PROGRAM EXPERIENCE REPORT
活動時間：18年07月01日至18年07月19日
姓名：陳同學 系級：建築二甲
2018/07/01 – 2018/07/19
SCHOOL : AKASHI COLLEGE
PROFESSOR : AKANE MIZUSIMA
STUDENT : CHEN YUANG SHENG
MAJOR STUDY : JAPAN TRADITIONAL
ARCHITECTURE STYLE,
HISTORY AND CULTURE
AND SPACE FEELING
Academic & Professional Experience
Apr 2014 - Today
Associate Professor, Architecture,
National Institute of Technology,
Akashi College
2007 - 2010
Kobe Design University
I’m Chen,Yuan-Sheng,20-year-old-boy,studying at the NUU Day Department of Architecture in the sophomore year. I was graduated at national Chiayi senior high school. I love sports especially basketball ,I have been played in Chiayi senior high school basketball team, this is the reason why I love NBA. I also love to listen to the music , such as Blue Jazz , light music , and coffee music , and sometimes I will play the Jazz piano solo for fun . Mountain is my favorite attractions ,which is the place that makes me relax.
To be able to communicate with Japanese students, we can share and discuss ideas on architectural design and concept. I deeply realize this project is full of enthusiasm and intentions for the architecture communication and implement the truth of architectural education.
I hope that looking through this international communication in Japan. i can learn about different opinions by the discussion between each others, and I think this can give more ideas to my design concepts, helping me more logically and rationality
。INTERNATIONAL COMMUNICATE
。JAPAN’S TRADITIONAL ARCHITECTURE REASEARCH
。THE EXPERIENCE ABOUT SPIRIT AND CULTURE IN JAPAN
。BUSINESS SPACE REASEACH (BLUE BOTTLE IN KYOTO)
intereacting with each other ,sharing the project or their design that they have done this week, and than schedule the list about the class and the planning in these 19days.
Scheduling is important before the project ,so we sharing and discussing each other to make the dicision.
(International Communication)
Sharing and Discussing ideas is the most important things about the design process, and different country different style , that connect by the same language – English.
And I think that this make a lot of impact about my view before I went to Japan.
Between sharing ideas, talking together, I have leaned a lot about different concept ,different ideas ,this is really a unforgettable experience that I felt appreciate about it.
This trip really change my mind about my view and my thought.
The international communication is very worth to get it.
Join the lessons communicate with Japanese student . We study together ,work together, play together, experience together, that we can know each other more , and we learn each other.This is also an unforgettable experience for me in Japan.
Recognize the construction , maintenance, and the procedure of construction of the Akashi-Kaikyo Bridge
JAPANESE TRADITIONAL ARCHITECTURE RESEARCH
This is how many different kinds of boundaries that do not completely separate outside and inside came to exist in japan
Material that actually provide almost no physical protection, but merely restrict possibilities . Joining and separating at the same time .Joining and separating at the same time.Furnishings that accomplish two apparently contradictory function at once.
space. These are the boundaries that delineate the outer as an object of worship and awe, transcending human knowledge.
Total site area:2290m²
Floor space : 343m²
This residence is built in the style of “sukiya-zukuri
( sukiya-style )”
“Sukiya’ means “tea-ceremony house”
The main building material is cedar .
Bamboo and paulownia are used as the expressional and decorative elements
When this residence was built, the Pacific War had already started . The average citizens could not build a big house at one time under the strict material control. Therefore, Mr.Matano divided the construction work into two steps. Under such difficult circumstances like this , the workers tried to obtain as good materials as possible and make all kinds of effort to build this residence.
The former residence of the Kinoshita family keeps well the atmosphere of the prewar Japanese-style residence while many houses in the region have been disappearing since the Great Hanshin-Awaji Earthquake in 1995. Besides, the effects of the war can be seen as mentioned above. Therefore, this residence was registered as the Tangible Cultural Property of Japan
The focal point of any Japanese traditional room is the decorative alcove called kakejiku. An essential aspect of kakejiku is that they are not intended to be hung permanently . They are changed at frequent intervals . Part of the pleasure of hanging a kakejiku is selecting one that is appropriate for the specific occasion, season and for the guests who will be received. The most typical kakejku for the tearoom is calligraphy.
Chashitsu is a facility built for the tea ceremony host to iinvite and entertain the guests with tea. The host considers the coordination of the tea utensils so that they reflect the season and the purpose of the tea gathering.
In the world of the tea ceremony, there is saying “lchigo-ichie” meaning “Treasure every encounter” The basic principles of chado (tea ceremony) is expressed in the words “harmony” “respect” “purity” and “ tranquility” . It is considered to be a composite art form that practices not only serving and drinking tea but deals with the purpose of living, the way of thinking, religion , art of tools and art works placed in the chashitsu. Chashitsu is a small universe which is apart from real world.
Japan’s traditional design aesthetic of clean lines, natural materials, heightened spatial awareness and subtle enhancement has inspired artists and designers around the world. Kyoto has many outstanding examples in its centuries-old shrines, temples and teahouses, but also in modern works that riff on the old while striving for the new. Since ancient times in Japan, landscape design has been inseparable from architecture, and Kyoto has the greatest collection of gardens in the country.
period (1868-1912). It was built between 1894 and 1896 by Yamagata Aritomo, a Prime Minister of Meiji period Japan. As much as he loved the Japanese garden culture, he also had a deep interest in Western culture. The villa on the grounds of Murin-an has dark rooms, painted walls and a paneled ceiling and is a rare example of western style architecture.
Kyoto resident's resisted the project. Many felt that Western style architecture had no place in a ancient Japanese capital. With time residents grew fond of the structure. Japanese architecture has always been influence by foreign cultures. Many of Kyoto's temples and shrines are heavily influenced by
Chinese and Indian designs.
TADAO ANDO’S WORK
This is really an amazing experience. My dream come true
Nanzenji Temple (南禅寺), whose spacious grounds are located at the base of Kyoto's forested Higashiyama mountains, is one of the most important Zen temples in all of Japan. It is the head temple of one of the schools within the Rinzai sect of Japanese Zen Buddhismand includes multiple subtemples, that make the already large complex of temple buildings even larger.
Blue Bottle Coffee Kyoto Cafe
by Schemata Architects
Though it ceded the title of national capital to Tokyo centuries ago, Kyoto has maintained a deep sense of pride in its civic history. Surrounded by mountains, crucial fortification during feudal times, it’s also known for its rich natural beauty: lush green summers, florid autumns, white winters, and springtimes blushing with cherry blossoms
The effect is one of both warmth and tranquility, and it’s one we hope our guests will take with them, whether they have their coffee to go, or enjoy it in a garden that’s beautiful in all seasons.
Upon integrating Blue Bottle Coffee – coming from America’s West Coast culture – with the machiya (traditional townhouse) located along the approach way to Nanzenji Temple in Kyoto, the designers continued to focus on the design concept for all of the Blue Bottle Coffee shops they had designed, which is to “create equal relationships” throughout the space. In addition to the historical atmosphere, it is also integrated with the surrounding mountain scenery.
The floor inside the counter is also level with the customer area to maintain the same eye level between customers and staff following the same concept as the other shops, while integrating Japanese and American cultures at the same time.
The continuous white floor is stripped of all unnecessary things and the structure is stripped of existing finishes to expose the original roof structure and clay walls, and one can see traces of its100-year old history throughout the large, medium and small spaces in the structure originally composed of two separate buildings.
The second floor accommodates the office, where all unnecessary walls have been removed and glass maintains the visual connection between the lower and upper floors.
In order to visually continue the pebbled ground into the interior, terrazzo containing the same type of pebbles as the ground was used to finish the floor.
活動時間：18年07月01日至18年07月19日
姓名：陳同學 系級：建築二甲
Mizusima’s Lab
2018/07/01 – 2018/07/19SCHOOL : AKASHI COLLEGE
PROFESSOR : AKANE MIZUSIMA
STUDENT : CHEN YUANG SHENG
MAJOR STUDY : JAPAN TRADITIONAL
ARCHITECTURE STYLE,
HISTORY AND CULTURE
AND SPACE FEELING
Professor AKANE MIZUSIMA
Academic & Professional ExperienceApr 2014 - Today
Associate Professor, Architecture,
National Institute of Technology,
Akashi College
2007 - 2010
Kobe Design University
Biography
I’m Chen,Yuan-Sheng,20-year-old-boy,studying at the NUU Day Department of Architecture in the sophomore year. I was graduated at national Chiayi senior high school. I love sports especially basketball ,I have been played in Chiayi senior high school basketball team, this is the reason why I love NBA. I also love to listen to the music , such as Blue Jazz , light music , and coffee music , and sometimes I will play the Jazz piano solo for fun . Mountain is my favorite attractions ,which is the place that makes me relax.Study Plan
To be able to communicate with Japanese students, we can share and discuss ideas on architectural design and concept. I deeply realize this project is full of enthusiasm and intentions for the architecture communication and implement the truth of architectural education.
I hope that looking through this international communication in Japan. i can learn about different opinions by the discussion between each others, and I think this can give more ideas to my design concepts, helping me more logically and rationality
About the Experience Sharing
。INTERNATIONAL COMMUNICATE
。JAPAN’S TRADITIONAL ARCHITECTURE REASEARCH
。THE EXPERIENCE ABOUT SPIRIT AND CULTURE IN JAPAN
。BUSINESS SPACE REASEACH (BLUE BOTTLE IN KYOTO)
INTERNATIONAL COMMUNICATION
The Morning Meeting
Every Tuesday Morning, we will have a meeting at 10 a.m. communicating andintereacting with each other ,sharing the project or their design that they have done this week, and than schedule the list about the class and the planning in these 19days.
Scheduling the Planing
Scheduling is important before the project ,so we sharing and discussing each other to make the dicision.
Sharing and Disscussing
(International Communication)
Sharing and Discussing ideas is the most important things about the design process, and different country different style , that connect by the same language – English.
And I think that this make a lot of impact about my view before I went to Japan.Between sharing ideas, talking together, I have leaned a lot about different concept ,different ideas ,this is really a unforgettable experience that I felt appreciate about it.
This trip really change my mind about my view and my thought.
The international communication is very worth to get it.Join the Lesson
Join the lessons communicate with Japanese student . We study together ,work together, play together, experience together, that we can know each other more , and we learn each other.This is also an unforgettable experience for me in Japan.
Technical Visit to AKASHI-KAIKYO Bridge
Recognize the construction , maintenance, and the procedure of construction of the Akashi-Kaikyo Bridge
－2018201820182018台日雙邊研討會發表－
JAPANESE TRADITIONAL ARCHITECTURE RESEARCH
IN MIZUSIMA’S LAB
Sou Fujinoto
Between light and shadow, between transparent and opaque, between interior and exterior, between artificial and natural, between object and empty space, between truth and falsehood – if we can cut open these intermediary zones, give them spatial form, and make them into something we can experience, our world will undoubtedly be the richer for it.Vague Boundaries Between Interior and Exterior
Just as we use language to parse reality to make it more easily apprehensible, we employ boundaries---parsings of space----and conventional signs in order to give comprehensible form to the space around us. As an inevitable result of this process, the space other than that around us is assigned an identity as the amorphous “outside”. People have frequently tried to keep the outside, the chaos, at bay by building high walls and impregnable boundaries. They categorized the world according to the dualism of inside and outside . But in fact , our species cannot survive if it rejects its interrelatedness to the “outside” -----that is , our natural environment ------and the people of Japan long ago perceived that that we are a more complex and contradictory organism than the simple digital operation of 1 or 0 “either – or” can explain.This is how many different kinds of boundaries that do not completely separate outside and inside came to exist in japan
Sacred and Profane , Ceremonial and Ordinary Boundaries
Fabric , paper , bambooMaterial that actually provide almost no physical protection, but merely restrict possibilities . Joining and separating at the same time .Joining and separating at the same time.Furnishings that accomplish two apparently contradictory function at once.
Sacred and Profane , Ceremonial and Ordinary Boundaries
Different levels, pillars, signs---things such as these are employed to mark off sacredspace. These are the boundaries that delineate the outer as an object of worship and awe, transcending human knowledge.
Simulated Boundaries
The flowers displayed in the took remind one of flowers growing in the fields; depicting mountain streams without using water. This is the art of simulation at which the Japanese excel---using something to suggest something else. Elements that don’t seem to have any special meaning on their own are able, through a silent shared understanding of the members of the same cultural complex, to simulate and suggest boundaries that demand out attention.Scenic Boundaries
When you click the shutter of your camera at a tourist spot, you’re motivated by a subjective, self-centered feeling that this is something you should try to capture. At that moment, You a the photograph taker (inside)are separated from the object you wish to capture on film(the outside). ‘Scenic boundaries” does not refer to this separation of subject and object . Rather , it is the mechanism that dissolves the illusion that is merely your subjective creation and reconnects inside and outside.Contemporary Boundaries
Contemporary architects taking on the challenge of creating space through relationships. Even today, boundaries remain an important part of the Japanese aesthetic, in new and exciting forms.VISIT TO THE RESIDENCE OF THE KINOSHITA FAMIL
旧木下家住宅旧木下家住宅
Total site area:2290m²
Floor space : 343m²
This residence is built in the style of “sukiya-zukuri
( sukiya-style )”
“Sukiya’ means “tea-ceremony house”
The main building material is cedar .
Bamboo and paulownia are used as the expressional and decorative elements
HISTORICAL BACKDROP
The former residence of the Kinoshita family keeps well the atmosphere of the prewar Japanese-style residence while many houses in the region have been disappearing since the Great Hanshin-Awaji Earthquake in 1995. Besides, the effects of the war can be seen as mentioned above. Therefore, this residence was registered as the Tangible Cultural Property of Japan
ABOUT CHASHITSU (TEA-CEREMONY ROOM)
The focal point of any Japanese traditional room is the decorative alcove called kakejiku. An essential aspect of kakejiku is that they are not intended to be hung permanently . They are changed at frequent intervals . Part of the pleasure of hanging a kakejiku is selecting one that is appropriate for the specific occasion, season and for the guests who will be received. The most typical kakejku for the tearoom is calligraphy.Chashitsu is a facility built for the tea ceremony host to iinvite and entertain the guests with tea. The host considers the coordination of the tea utensils so that they reflect the season and the purpose of the tea gathering.
In the world of the tea ceremony, there is saying “lchigo-ichie” meaning “Treasure every encounter” The basic principles of chado (tea ceremony) is expressed in the words “harmony” “respect” “purity” and “ tranquility” . It is considered to be a composite art form that practices not only serving and drinking tea but deals with the purpose of living, the way of thinking, religion , art of tools and art works placed in the chashitsu. Chashitsu is a small universe which is apart from real world.
KYOTO TRIP With Mizusima’ lab
祇園祭 デザインデザイン 京都
Luckly that we have met the most famous festival
in Kyoto -祇園祭
名勝 無鄰菴無鄰菴
Murin-an is a typical strolling garden of the Meiji
period (1868-1912). It was built between 1894 and 1896 by Yamagata Aritomo, a Prime Minister of Meiji period Japan. As much as he loved the Japanese garden culture, he also had a deep interest in Western culture. The villa on the grounds of Murin-an has dark rooms, painted walls and a paneled ceiling and is a rare example of western style architecture.
水路閣
Kyoto Aqueduct (Suirokaku Aqueduct)
Kyoto resident's resisted the project. Many felt that Western style architecture had no place in a ancient Japanese capital. With time residents grew fond of the structure. Japanese architecture has always been influence by foreign cultures. Many of Kyoto's temples and shrines are heavily influenced by Chinese and Indian designs.
TADAO ANDO’S WORK
IN KYOTO
This is really an amazing experience. My dream come true
Tadao Ando’s Work
in Kobe
Nanzenji Temple (南禅寺)
Nanzenji Temple (南禅寺), whose spacious grounds are located at the base of Kyoto's forested Higashiyama mountains, is one of the most important Zen temples in all of Japan. It is the head temple of one of the schools within the Rinzai sect of Japanese Zen Buddhismand includes multiple subtemples, that make the already large complex of temple buildings even larger.
BUSINESS SPACE
Blue Bottle Coffee Kyoto Cafeby Schemata Architects
Though it ceded the title of national capital to Tokyo centuries ago, Kyoto has maintained a deep sense of pride in its civic history. Surrounded by mountains, crucial fortification during feudal times, it’s also known for its rich natural beauty: lush green summers, florid autumns, white winters, and springtimes blushing with cherry blossoms
The effect is one of both warmth and tranquility, and it’s one we hope our guests will take with them, whether they have their coffee to go, or enjoy it in a garden that’s beautiful in all seasons.
ABOUT THE BLUE BOTTLE IN KYOTO
Upon integrating Blue Bottle Coffee – coming from America’s West Coast culture – with the machiya (traditional townhouse) located along the approach way to Nanzenji Temple in Kyoto, the designers continued to focus on the design concept for all of the Blue Bottle Coffee shops they had designed, which is to “create equal relationships” throughout the space. In addition to the historical atmosphere, it is also integrated with the surrounding mountain scenery.CREATE EQUAL RELATIONSHIP
INTERGRATION
The floor inside the counter is also level with the customer area to maintain the same eye level between customers and staff following the same concept as the other shops, while integrating Japanese and American cultures at the same time.
ORIGANALLY
The continuous white floor is stripped of all unnecessary things and the structure is stripped of existing finishes to expose the original roof structure and clay walls, and one can see traces of its100-year old history throughout the large, medium and small spaces in the structure originally composed of two separate buildings.
AUTRIUM SPACE
The second floor accommodates the office, where all unnecessary walls have been removed and glass maintains the visual connection between the lower and upper floors.
MACHIYA
The building integrates the machiya traditional townhouse – located along the way to the Nanzenji Temple in Kyoto – and a typical American café
PEBBLES
In order to visually continue the pebbled ground into the interior, terrazzo containing the same type of pebbles as the ground was used to finish the floor.
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